Luc Fierens

(Nacido en Mechelen, Bélgica, 1961) es un collagista networker y poeta visual provocador. Su obra surgió de los círculos de Poesia Visiva, Mail Art y Fluxist. En 1984, ya se centraba en el collage y la poesía visual a través de la red (social) Mail Art anterior a Internet, con exposiciones individuales y colectivas en todo el mundo y publicadas en varias antologías, incluidas Visual Poetry (Skira Editore, Milán, 2014) y Visual Poetry in Europe (Imago Mundi-Fondazione Benetton, Treviso, Italia, 2016) En 2019, una importante retrospectiva de su obra, que abarca de 1984 a 2018 en la Fondazione Berardelli en Brescia, Italia, acompañada de la monografía de 205 páginas, Punti di vista e di partenza. Por Margot Modonesi. Sus collages, poemas visuales y publicaciones de artistas (Postfluxpost °1987) han sido adquiridos por importantes archivos, incluidos The Ruth & Marvin Sackner Archive en Miami, Artpool Art Research Center en Budapest y Archivo HOTEL DADA en Argentina; por bibliotecas, incluida la Biblioteca del Museo de Arte Moderno de la ciudad de Nueva York, Poetry, Rare Books Collection de las Bibliotecas de la Universidad de Buffalo y Erfgoedbibliotheek Hendrik Conscience en Amberes; por museos, incluido el Museo de Yeisk, Rusia, Henie Onstad Kunstsenter en Oslo, Noruega, MaRT en Trento e Rovereto y Museo Magi’900 en Pieve di Cento en Italia, Karuizawa New Art Museum en Japón; y colecciones privadas, incl. Collezione Palli en Prato, Fondazione Bonotto en Molveno, Italia y la Fundación Verbeke en Kemzeke, Bélgica.

(Born in Mechelen, Belgium, 1961) is a networked collagist and visual poet provocateur. His work emerged out of Poesia Visiva, Mail Art and Fluxist circles. In 1984, his focus was already on collage and visual poetry through the pre-internet Mail Art (social) network with solo and group exhibitions worldwide and published in various anthologies including, Visual Poetry (Skira Editore, Milan, 2014) and Visual Poetry in Europe (Imago Mundi-Fondazione Benetton, Treviso, Italy, 2016) In 2019, a major retrospective of his work, spanning 1984 to 2018 at the Fondazione Berardelli in Brescia, Italy accompanied by the 205-page monograph, Punti di vista e di partenza by Margot Modonesi. His collages, visual poems and artist publications (Postfluxpost °1987) have been acquired by major archives, including The Ruth & Marvin Sackner Archive in Miami, Artpool Art Research Center in Budapest and Archivio Vortice in Buenos Aires; by libraries, including the Museum of Modern Art Library in New York City, Poetry, Rare Books Collection of University at Buffalo Libraries, and Erfgoedbibliotheek Hendrik Conscience in Antwerp; by museums, including the Museum of Yeisk, Russia, Henie Onstad Kunstsenter in Oslo,Norway, MaRT in Trento e Rovereto and Museo Magi’900 in Pieve di Cento in Italy, Karuizawa New Art Museum in Japan; and private collections, incl. Collezione Palli in Prato , Fondazione Bonotto in Molveno, Italy and the Verbeke Foundation in Kemzeke, Belgium.